The Last Curtain Call (Haunted Home Renovation Mystery, #8)

The Last Curtain Call
by Juliet Blackwell
Rating: ★★★
isbn: 9780593097939
Series: Haunted Home Renovation Mystery #8
Publication Date: June 30, 2020
Pages: 318
Genre: Fiction, Mystery, Paranormal
Publisher: Berkley

Mel Turner can’t resist the chance to bring the Crockett Theatre, a decrepit San Francisco Art Deco movie palace, back to life. But there’s a catch for Turner Construction: Several artists are currently squatting in the building, and they aren’t the only ones haunting the once-grand halls of the historic theater.…

When one of the squatters is found dead, the police department has a long list of suspects to investigate. Meanwhile, Mel and her fiancé, Landon, are remodeling an old house for themselves, and Mel finds being on the other side of a home renovation project more challenging than she expected.

When Mel discovers that the former owner of the Crockett Theatre died under mysterious circumstances, and that there just might be a connection to the ghost haunting her own attic, the case takes a new turn—one that could bring down the curtain for the last time.

One of the few remaining cozy writers and series I still find dependable. Juliet Blackwell is a good writer; I enjoy her characters, her imagination for the paranormal, and her plots … well I can’t think of any of her plots that failed to amuse, and I can’t think of one of her books where the mystery was transparent. Her diversity of characters feels natural (the San Francisco setting probably helps) and I’ve been reading her long enough to know that they existed to greater or lesser extent long before it was ‘on trend’ to do so.

This one made me ache to explore an old, abandoned theatre, although I’d prefer mine to be ghost free, thanks; especially the kind of ghosts who fill the theatre seats and follow you around with their blank, unseeing stares. The connection between the theatre Mel is renovating and the house she’s renovating for herself felt a bit too coincidental, but it bothered me so very little that it amounts to nit-picking.

A fun book, and a fun series that would be perfect for several Halloween Bingo squares.

The Lion in the Living Room: How House Cats Tamed Us and Took Over the World

The Lion in the Living Room: How House Cats Tamed Us and Took Over the World
by Abigail Tucker
Rating: ★★★
isbn: 9781476738239
Publication Date: December 1, 2016
Pages: 241
Genre: Non-fiction, Science
Publisher: Simon & Schuster

House cats rule back alleys, deserted Antarctic islands, and our bedrooms. Clearly, they own the Internet, where a viral cat video can easily be viewed upwards of ten million times. But how did cats accomplish global domination? Unlike dogs, they offer humans no practical benefit. The truth is they are sadly incompetent rat-catchers and pose a threat to many ecosystems. Yet, we love them still.

To better understand these furry strangers in our midst, Abby Tucker travels to meet the breeders, activists, and scientists who’ve dedicated their lives to cats. She visits the labs where people sort through feline bones unearthed from the first human settlements, treks through the Floridian wilderness in search of house cats on the loose, and hangs out with Lil Bub, one of the world’s biggest feline celebrities.

Witty, intelligent, and always curious, Tucker shows how these tiny creatures have used their relationship with humans to become one of the most powerful animals on the planet. The appropriate reaction to a cuddly kitten, it seems, might not be aww but awe.

This should have been a better book; Tucker is a self professed, life long lover of cats, and I understand her need to be objective about the subject matter – I applaud it, even. But just about all of this book felt like an apology, or an over-correction of bias. Or both.

The Introduction professes the text to be an overview of the history of cats as domesticated animals and their intersection with culture and pop culture. It mostly succeeds, but really, just barely. I think her motivation underneath it all is to point out that cats are cats and cats do what cats do, but humans are, at the end of the day, at the heart of the destruction that cats get blamed for. After all, without human interference and transportation, house cats would still be a wild animal confined to the region around Turkey. Unfortunately, if that’s the message she intended, she was a little too subtle about it.

There were highlights; I loved that she pointed out that cats are the only domesticated animal that chooses to be domesticated and the only domesticated animal that can successfully return to the wild. When people say cats are independent, I don’t perhaps think they realise just how independent they truly are. I admire them for that.

Otherwise, I mostly just argued with the text as I read it, and all in all I found The Inner Life of Cats: The Science and Secrets of Our Mysterious Feline Companions by Thomas McNamee to be a superior text all the way around. I learned a lot from that book, and it left me with a lot to think about. This one, I was just mostly happy to have finished.

A Perilous Perspective (Lady Darby Mystery, #10)

A Perilous Perspective
by Anna Lee Huber
Rating: ★★★
isbn: 9780593198469
Series: A Lady Darby Mystery #10
Publication Date: April 19, 2022
Pages: 389
Genre: Fiction, Historical, Mystery
Publisher: Berkley

Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye’s great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party.

But when Kiera is invited to peruse Barbreck’s extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess’s furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household.

Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent. For they are swiftly made to realize that Charlotte’s and Rye’s future happiness is not the only issue at stake, and this stealthy game of cat and mouse could prove to have deadly consequences.

Well, that was, frankly, disappointing. Even taking out of account the babbling about the baby, this just wasn’t anywhere near as good as her first 8 books were. The potential was there – I really enjoyed the art forgery backdrop; that was genuinely interesting and really well done. But the character development just wasn’t.

Huber seems to be stuck on a need to constantly give Kiera (and Gage, to a lesser extent) some kind of melodrama anxiety. For the first 8 books it was the fallout from her late husband’s scandalous behaviour – and that worked well while it lasted. Book 9 was a fantastically over the top drama about Kiera’s impending motherhood and how it would mix with their inquiry business. This book, it was all about her mom, who died when she was 8, and someone’s attempt to gaslight her about it. It was completely unnecessary to the plot, it was silly and it detracted from the story.

The plot of the murder was so tissue-thin transparent I can’t believe it got through a beta read. I never once, for a second, doubted who the murderer was. And the climax … oh the problems I had with the climax. Huber broke the first rule every American is taught about handguns – you don’t carry one unless you’re prepared to use it. She also tried to belie the adage “Don’t bring a knife to a gunfight”. It was preposterous, and the whole thing was unbelievable. Which is a shame; written better, it would have been diabolical, as I’m certain she intended it to be.

I went with three stars, because I’d say I enjoyed about 50% of the story; the other half would have been better had it not been so over-written. I think I’m still going to want to read the next one, but I am definitely not feeling the excited I previously felt for the newest release.

The Man Who Loved Books Too Much

The Man Who Loved Books Too Much
by Allison Hoover Bartlett
Rating: ★★★★½
isbn: 9781594488917
Publication Date: January 1, 2009
Pages: 274
Genre: Books and Reading, Non-fiction
Publisher: Riverhead Books

Rare-book theft is even more widespread than fine-art theft. Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be.

Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars' worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed "bibliodick" (book dealer with a penchant for detective work) driven to catch him. Bartlett befriended both outlandish characters and found herself caught in the middle of efforts to recover hidden treasure.

With a mixture of suspense, insight, and humor, she has woven this entertaining cat-and-mouse chase into a narrative that not only reveals exactly how Gilkey pulled off his dirtiest crimes, where he stashed the loot, and how Sanders ultimately caught him but also explores the romance of books, the lure to collect them, and the temptation to steal them. Immersing the reader in a rich, wide world of literary obsession, Bartlett looks at the history of book passion, collection, and theft through the ages, to examine the craving that makes some people willing to stop at nothing to possess the books they love.

I’m not a fan of true crime books; I find any public attempt to ‘get into the mind’ of a criminal a distasteful glorification of abhorrent behaviour and I think criminals should rot in obscurity.

All of which makes my enjoyment of this book just prove what a hypocrite I am, although in my defence I didn’t realise when I bought it that it would be delving into the sociopath’s head – I thought it was more a documentation of the chase itself; how a ‘bibliodick’ investigated the stolen books and how the thief was apprehended. You know, like a mystery!

It was very little of any of those things, since the thief in question was apprehended before Hoover Bartlett started researching the book and agreed to participate (the book started as an article for a San Francisco magazine).

The first half of the book was everything I hoped it would be, as Hoover Bartlett met with rare book dealers, went to book fairs, talked about book collecting and some of the lottery-like finds that have happened over the years. She talked with the ‘bibliodick’, Ken Sanders, who talked about how he got sucked into chasing down the elusive man who’d stolen over 100k worth of books over three years and was getting away with it. The first half of this book was purely fascinating.

The second half of the book was fascinating too – in a train wreck sort of way. The second half of the book focuses on Hoover Bartlett’s attempt to figure out why the thief does what he does, and continues to do even after he’s been caught. I loathe using a serial killer as a comparison – for obvious reasons – but this guy was, in every way except the crimes he committed, Ted Bundy: clean cut, well spoken, charming, respectful, intelligent, with absolutely no conscience whatsoever. He knew what he was doing was illegal, but didn’t think it was wrong – and he didn’t care either way. His delusions were mind-boggling, and just when I thought he couldn’t possibly go there in the land of rationalisations, he’d go there.

I originally bought this book years ago in some half-hearted cautionary tale sort of way, when I was battling the stacks of books threatening to take over my house. It wasn’t that kind of book, but still, it was one I couldn’t put down. It was well written, Hoover Bartlett seemed she was being pretty transparent with the reader, and I genuinely enjoyed the parts about what it means to be a book collector.

But I still don’t like true crime books.

Still Life with Bread Crumbs

Still Life with Bread Crumbs
by Anna Quindlen
Rating: ★★★★
isbn: 9781400065752
Publication Date: January 1, 2014
Pages: 252
Genre: Fiction
Publisher: Random House

Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.

Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.

I vaguely remember buying this book at a used book shop, mostly because the cover was gorgeous and to a lesser extent, because I’d read Anna Quindlen’s book of essays How Reading Changed My Life and rationalised that there was an outside chance I might like her fiction too – but really, I bought it for the cover.

Last night, I read the synopsis – because it’s been so long since I bought it or looked at it again that I had no idea what it was about – and thought ‘Oh hey, this sounds interesting.’ I decided to try the first page, just to see if the writing was something that would hold my attention, and promptly read the first 5 chapters. It was a little sketchy at the start, because there’s a scene involving a racoon that I’d have preferred not to have read, and having lived through exactly the same scenario, I cry bullshit on the resolution, but it was a quick scene and not gratuitous.

Midway through though, I was having second thoughts. The writing is what I’m going to describe as ‘extreme third person POV’; an omniscient narrator who sometimes jumps from one person’s comments or thoughts about a character to asides that reveal what that other character was really thinking or doing or what was motivating them. It was both interesting, because the reader gets all the facts about what’s really going on beneath the surface, and jarring. One aside, set in a parenthetical, was over a page long. At this point it felt like speculative fiction, and I thought … 3 stars.

But then things started coming together, and by that I means the two main characters come together – and kudos to the author for turning the May/September dynamic on its ear without any equivocation. I didn’t care so much about the romance aspect, but it was at that point that so many divergent stories started to come together into something resembling coherence, and it made me want to stick with the story. I’m glad I did, because it ended up being an enjoyable story with a satisfactorily happy ending. I’m a fan of the device Quendlen used, where the end of the book jumps forward in time to give a quick summary of where everyone’s lives ended up; I like the sense of pleasant finality it imparts to the reader, even if it is unrealistic.

I’m not sure I’d read more of her work – but if I do run across any more of it, I’d definitely consider it.

The Bookshop at 10 Curzon Street: Letters between Nancy Mitford and Haywood Hill 1952-1973

The Bookshop at 10 Curzon Street: Letters between Nancy Mitford and Haywood Hill 1952-1973
by John Saumarez Smith (Editor)
Rating: ★★★½
isbn: 9780711224520
Publication Date: January 1, 2004
Pages: 191
Genre: Non-fiction
Publisher: Frances Lincoln

This collection of previously unpublished correspondence with Heywood Hill is filled with gossip about life in Paris, tales of her writing life, and her own personal request for books. Hill in turn provides news of customers - many of whom were the elite of post-war London - and reports on how Mitford's books were being revived in London. It is an intimate and charming look at a world that has all but disappeared and will appeal to anyone interested in postwar English literature and/or high society.

Here’s the thing about publishing a person’s letters post mortem: they were written to friends – in this case one, very good, very long-time friend – and as such contain all sorts of personal references, names of mutual friends, inside jokes, and most frustratingly, a shorthand form of communication built up over years that’s really only obvious to the correspondents themselves. The editor Johns Saumerez Smith, does his best to clarify as much as possible, but there’s quite a lot that went over my head regardless.

In addition to the insider knowledge required to really, really appreciate this collection, Johns Saumerez Smith, in an effort at conciseness, interest, and probably respect of Haywood’s and Mitford’s privacy, edited each letter down to the bits he felt were humorous, with the effect that as a reader, I felt a bit frustrated – because references would be made to one thing or another in one letter that were never followed up on in subsequent letters. There are letters in their chain of correspondence that are missing in the archives, and Johns Saumerez Smith did his best to summarise (I assume from other sources) the gaps. But the one thing that really irritated me is that Saumerez Smith left out letters that exist but have already been published in one of the other 2 broader collections of Mitford’s letters, making the (erroneous in my case) assumption that the reader had already seen them, because, of course, the reader would have already read both the other collections.

Overall though, I enjoyed this glimpse into Mitford’s life, and the drama at the Haywood Hill bookshop … I wish they’d discussed it more and in fuller detail; it sounds like quite a drama. A lot of joy comes through though, and a lot of irreverence, so that even if I didn’t understand all the references, I enjoyed the glimpse I got into a valued friendship.

Saving Mona Lisa: The Battle to Protect the Louvre and its Treasures from the Nazis

Saving Mona Lisa: The Battle to Protect the Louvre and its Treasures from the Nazis
by Gerri Chanel
Rating: ★★★★
isbn: 9781785784163
Publication Date: September 1, 2018
Pages: 377
Genre: History, Non-fiction
Publisher: Icon Books

In August 1939, curators at the Louvre nestled the world's most famous painting into a special red velvet-lined case and spirited her away to the Loire Valley. So began the biggest evacuation of art and antiquities in history. As the Germans neared Paris in 1940, the French raced to move the masterpieces still further south, then again and again during the war, crisscrossing the southwest of France. Throughout the German occupation, the museum staff fought to keep the priceless treasures out of the hands of Hitler and his henchmen, often risking their lives to protect the country's artistic heritage.

Thus a story that features as a vignette in the George Clooney film The Monuments Men is given the full-length treatment it demands. The recipient of several independent publishing awards in the United States, and illustrated throughout with nearly 100 photographs, Saving Mona Lisa is a compelling true story of art and beauty, intrigue and ingenuity, and remarkable moral courage in the darkest of times.

The copyediting in my hardcover edition is total crap, and the narrative dragged a wee bit in the middle – although I doubt nearly as much as the same point in the actual war felt like it did for those that had to go through it – but otherwise, and excellent book about exactly what it says on the wrapper. Concise, focused, and written to be easily read (if not for the bad copyediting), Chanel does a masterful job at juggling an enormous number of French and German players, and the unbelievable efforts curators, guards and volunteers went through to protect the art of the Louvre. The fact that she does this without deviating into politics or resistance efforts that don’t directly pertain to the protection and conservation of the art made me appreciate the read even more.

Though I’ve been to France, I’ve not been to Paris; I knew, of course, that the Louvre isn’t a po-dunk museum, but until I read this book and saw the photos included (alas, all black and white but better than none), I really hadn’t comprehended the sheer vastness of their collections. And of course, having been to other world museums, I know that ‘art’ comprises many different mediums, but when I first imagined the evacuation of the ‘art’ prior to the outbreak of war in France, my mind’s eye thought, of course, ‘paintings’. Nevermind the Winged Victory of Samotrace, a sculpture coming in at just around 3.5 tons. And I never considered the paintings that were huge that had to be rolled up on giant oak poles, or Raft of the Medusa, that couldn’t be rolled because the artist used bitumen for the black, which never dries but remains sticky. Evacuating that piece alone was a tale. And the Bayeux Tapestry? That tale is one that can only be marvelled at in retrospect; in the moment it must have been … I don’t know, but I imagine the three men who lived it got very, very drunk afterwards.

An engaging read.

DNF: The Botany of Desire

The Botany of Desire: A Plant's-eye View of the World
by Michael Pollan
Publication Date: January 1, 2001
Pages: 273
Genre: Natural Science, Non-fiction, Science
Publisher: Random House

In 1637, one Dutchman paid as much for a single tulip bulb as the going price of a town house in Amsterdam. Three and a half centuries later, Amsterdam is once again the mecca for people who care passionately about one particular plant -- though this time the obsessions revolves around the intoxicating effects of marijuana rather than the visual beauty of the tulip. How could flowers, of all things, become such objects of desire that they can drive men to financial ruin?
In The Botany of Desire, Michael Pollan argues that the answer lies at the heart of the intimately reciprocal relationship between people and plants. In telling the stories of four familiar plant species that are deeply woven into the fabric of our lives, Pollan illustrates how they evolved to satisfy humankinds's most basic yearnings -- and by doing so made themselves indispensable. For, just as we've benefited from these plants, the plants, in the grand co-evolutionary scheme that Pollan evokes so brilliantly, have done well by us. The sweetness of apples, for example, induced the early Americans to spread the species, giving the tree a whole new continent in which to blossom. So who is really domesticating whom?

Weaving fascinating anecdotes and accessible science into gorgeous prose, Pollan takes us on an absorbing journey that will change the way we think about our place in nature.

Nopity nope, nope, nope. Couldn’t do it. Way too much meandering about and I was just bored. Plus, I have problems with authors trying to explain evolution as though it were a sentient process, and while I agree with the premise that plants have likely evolved to appeal to humans, thus ensuring their own survival, I draw the line at the conceit, through bad use of language, that the plants made a rational choice to do so. It makes me imagine a room full of plants, sitting around a table, plotting out the structure of their own DNA in order to better market themselves to humans.

No, no, no, no, no.

Are We Having Fun Yet?

Are We Having Fun Yet?
by Lucy Mangan
Rating: ★★★★½
isbn: 9781788161084
Publication Date: November 1, 2021
Pages: 303
Genre: Fiction
Publisher: Souvenir Press

From the deep rage of knowing where to find every single thing your husband is looking for to the joy of a friend's longed-for pregnancy, here is the pleasurable stab of fellow feeling you get over drinks with friends. Liz records her ups and downs, including the love of a good cat (up), not being able to find a babysitter (secret up) and the question of what 'we' really means when it comes to fixing the dishwasher (definitely, definitely down).

Spiky, charming and most of all loving, it's a hilarious skewering of the sweetness and nightmare that is modern family life.

This book is the literary equivalent of those visual illusions that psychologists try to hang meaning on depending on what you see – like the one that’s either an old woman or a candlestick. Or is it an old woman / young woman? Anyway, whatever, you know what I mean.

As someone who is voluntarily childless, this book was a hilarious – and I mean laugh-out-loud hilarious – justification that my decision to stick with the furry and feathered walks of life, rather than replicating my own DNA, was the right decision for me (and MT, who came to the same decision long before we met). Her kids are hysterical, but they’re hard work and are constantly opening up avenues of conversation that I’d hurt myself to avoid having. Mangen’s descriptions of child birth should be required reading in human development classes as psychological birth control. I was made to be an Aunt.

There was another – unintended, I’m certain – consequence this book had for me, one that is again tied, I’m equally certain, to our choice to stick with non-human family members, and that’s the lack of suppressed rage that lies as an undercurrent in Liz and Richard’s marriage, that I recognise in the marriages of my friends with children. It’s not all chocolates and roses here at chez zoo by a long shot, but without the stress and pressure of making new humans that will hopefully treat the world better than we have, MT and I have experienced more fun than festering resentment. Of course, I also recognise the near-miracle that he’s one of the 1 in 100,000 men who seem to have been raised without the ingrained gender biases and learned helplessness most are saddled with when it comes to matters of home keeping. Still, the book really gave me a few moments of “do you really appreciate how lucky you are? really, truly?“, which I think constitutes healthy self-reflection.

Putting all that aside, I have to figure out how to get my sister-in-law to read this, because, as the mother of 2, she will appreciate this book for all the opposite reasons: because Lucy Mangen wrote her truth, and she will laugh as she nods her neck stiff in righteous agreement of the trials and tribulations of an all-human family of 4.

I read so much of this out loud to MT (honestly, it’s almost been a nightly story-time around here lately) that he actually insisted I rate this 4.5 stars. As he said, it made us both laugh out loud and the writing was excellent (which gives you an indication of how much I read out loud; he was able to judge the quality of the writing). I’d been thinking more 4 stars, but since he put up with all the reading out loud, I acquiesced.

If you need a laugh, you won’t go wrong with this one.

Venomous: How Earth’s Deadliest Creatures Mastered Biochemistry

Venomous
by Christie Wilcox
Rating: ★★★★
isbn: 9780374283377
Publication Date: September 13, 2016
Pages: 236
Genre: Natural Science, Non-fiction, Science
Publisher: Scientific American

In Venomous, the molecular biologist Christie Wilcox investigates venoms and the animals that use them, revealing how they work, what they do to the human body, and how they can revolutionise biochemistry and medicine today.

Wilcox takes us from the coast of Indonesia to the rainforests of Peru in search of the secrets of these mysterious animals. We encounter jellyfish that release microscopic venom-packed darts known to kill humans in just two minutes, a two-inch caterpillar with toxic bristles that trigger haemorrhaging throughout the body, and a stunning blue-ringed octopus with saliva capable of inducing total paralysis. How could an animal as simple as a jellyfish evolve such an intricate, deadly poison? And how can a snake possess enzymes that tear through tissue yet leave its own body unscathed? Wilcox meets the fearless scientists who often risk their lives studying these lethal beasts to find out, and puts her own life on the line to examine these species up close. Drawing on her own research on venom chemistry and evolution, she also shows how venom is helping us untangle the complex mechanisms of some of our most devastating diseases.

Venomous and I did not get off to a great start. You’d think it would be a sure bet, since Chapter 1 kicks things off with the platypus, possibly my most favourite non-domesticated animal, and one she visited with – as she notes on page 1 – at Lone Pine Koala Sanctuary “in Melbourne Australia”. I’ve been to Lone Pine Koala Sanctuary and I have a picture of myself and the koala that peed on me to prove it (fun fact: koala pee smells sooooo bad). The thing is, Lone Pine Koala Sanctuary is in Brisbane, not Melbourne. Not a small error, either; one is at the bottom of the continent and the other at the top. Plus, Wilcox was there, so you’d like to think she knew she was in Brisbane and not Melbourne. Unless the koala pee stench got to her.

Anyhoo … I was understandably feeling a bit cynical after that illustrious beginning, and the first few chapters were not enough to sway me either way, but I began to find myself invested – as measured by how much I started reading out to MT (I am a trial to this poor man, I know) – by chapter 6: “All the better to eat you with”. This is the chapter about necrotising venoms, proving that I’m really no better than a 12 year old boy sometimes. But chapter 8 was even better: Mind Control. OMG.

Chapter 9 is about the pharmacological miracles that have been wrought by venom research, and reading it made me want to rush out to the world and scream nobody touch anything! simply because at the rate humanity is going, we’ll exterminate the cure for cancer, et al long before we ever knew it existed.

Venomous is a popular science book and as such is filled with anecdotes that make it easier for the average arm chair science nerd to connect with the material being discussed; it also has a not insignificant amount of the harder science in the form of detailed descriptions of neural chemical pathways, etc. but I wouldn’t call it inaccessible. In comparison, my recent read, Venom, is a far more hard-core scientific discussion and breakdown of the study of venom. (And it had much better pictures).

In an interesting six-degrees-of-separation chain of my TBR reads, Venom cited this book, Venomous, in the text, and Wilcox has cited The Botany of Desire by Michael Pollan, so I guess I know what my next non-fiction book is going to be.