The trouble with anthologies … and Charles Dickens

Great Stories of Crime and DetectionGreat Stories of Crime and Detection
by H.R.F. Keating, Various Authors
Rating: ★★★★½
Publication Date: January 1, 2002
Pages: 1784
Genre: Fiction, Mystery
Publisher: Folio Society

I’ve accumulated a solid collection of thick crime anthologies over the years and I’ve really enjoyed all of them – I get the chance to find new authors, experience a wide variety of writing styles and have access to mysteries and authors I might not otherwise be able to find.

But the one problem I’ve had again and again is that I pick up one of the large anthologies and often can’t remember which stories I’ve read and which I haven’t.  While I appreciate the anthologies as a chance to expand my mystery horizons, I know I also tend to gravitate to the same types of stories – so when I see one that looks good I find myself double guessing myself: did I think that the last time and have I already read this?.  I know I could look up reviews, but that takes way too much time no matter how organised my online ‘bookkeeping’ is.

A few weeks ago, it occurred to me that the simplest solution was the best: I had MT pick up a pack of index cards, and I started slipping on in the front of each anthology.  Now when I read a story, I jot in down on the index card, along with the date read and a quick rating.

This has been very handy, and I figure, if someday  my books travel beyond my library, maybe someone will get a kick out of finding my ‘ephemera’ and comparing notes with me.

All of which brings me to my mini-review of the first story I’ve read in Great Stories of Crime and Detection, V. I.  Volume I covers “The Beginning” up until 1920, and starts with the obvious, Murders in the Rue Morgue, which I’ve already read, so I chose the second story To Be Taken With a Grain of Salt by Charles Dickens.  Don’t ask me why, because, with the exception of A Christmas Carol I can’t tolerate Dickens’ paid-by-the-word writing style.  Maybe I felt the need to torture myself with mind-numbing prose?

If I did, I failed, because this story was delightful!  Written with an economy of style I can hardly credit to Dickens, but fully fleshed out and wonderfully creepy.  At 10 pages long it’s a compact ghost story about a man who sits on the jury of a murder trial, and how the victim sees to it that justice is done.  It’s an unconventional follow-up to the conventional starter, and it makes me eager to find out what’s to follow.  I doubt I’ll follow them in strict order, but I have high hopes that they’ll all be wroth reading, and I look forward to filling up my index card.

It has left me feeling completely flummoxed by Charles Dickens though.

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